April 16th, 2010
Robyn Body Talk Album Art
I don’t know too much about Robyn, but I do really like her new album cover for Body Talk.
March 31st, 2010
Amanda Wachob Tattoos
Amanda Wachob’s painterly tattoo style makes me want a tattoo. And I thought if there was one thing I knew it was that I had no interest in having a tattoo. Check out her portfolio for more lovely work.
Via the ever-wonderful Design Work Life
March 6th, 2010
Franz West Uncle Chairs
Love these Uncle Chairs by Frank West, made out of industrial plastic strapping. I would love even more to try to make my own, seems doable no?
February 8th, 2010
Absolutely Beautiful Valentines Day Cards by essimar
February 8th, 2010
I’m Interviewed on The Lamp!
I’m interviewed on The LAMP, a really cool “non-profit organization creating a grassroots movement to reform and improve media.” I re-designed their site last summer.
January 17th, 2010
Walking Men 99 by Maya Barkai
I love Maya Barkai’s Walking Men 99. A block-spanning installation at 99 Church St in Brooklyn, as part of Downtown Alliance’s Re:Construction Public Art Program which seeks to beautify stalled construction.
via Curbed
December 8th, 2009
Recycling Frame
So simple and chic. Available to purchase at Matteria.
Via Seconds Minutes Hours (One of my favorite design/curatorial blogs)
December 1st, 2009
Kim Bost, Pencil Factory & Jessica Hische
I love this personal piece by Kim Bost. I came across it in The Pencil Factory’s illustration-newsprint spectacular which I was graciously given a copy of by my studiomate Jessica Hische, who is also featured in it.
November 29th, 2009
Food for Thought
“Trying to depict everything is a fool’s game, and ultimately not that interesting—because it’s just as confusing and complicated as life. So then the task becomes limiting your scope, and within a limited scope providing amazing complexity and depth. That’s this process of ‘lens making’: coming up with a lens that you can point at all of reality but that only lets through certain things. That process is digital storytelling. It’s a process of exclusion—not a process of mimicry.”
